Did Dragons Really Exist? Part 1

From The Hobbit to Harry Potter, dragons are a familiar icon today in literature, movies, and pop culture. They are a symbol of fantasy and mythology; often associated with magic, foreign worlds, and ancient legends. But why is there all the hype about dragons? Why are people so drawn to stories including these fire-breathing, scaly reptiles? Could there be a reason that dragons are possibly the most-loved mythical creature of all time? One theory states that there is a reason, and it is because dragons once existed. It states that they were created by God and lived alongside humans.

There is plenty of evidence to confirm that dragons existed with people. Dragon legends have existed in many – and possibly all – ancient cultures. From the Chinese, to the Australian aborigines, to the Babylonians, to the Welsh, stories of dragons have played a part in the historical background of basically every people group on every continent. According to legend, the Chinese even bred dragons! Which brings up the question: how could so many cultures, often without contacting each other, come up with the same stories? They never met together and mutually decided to add dragons into their mythology, and yet dragon-like creatures appear again and again from culture to culture.

Not only are dragons common in mythology, they are also common in writing. There are many old history books around the world that record, in detail, encounters of dragons with people. One such record is the essay “On Dragons and Ghosts”, written by John of Damascus, a monk who lived in the eighth century (Alferov www.answersingenesis.org). His essay described dragons as real animals and not as mythical beings. Also known as St. John Damascene, this Orthodox Christian theologian was called the “Father of Scholasticism”, and his preachings earned him the title “The Golden Orator.” Because John of Damascus was such a well-educated scholar whose goal was to expose fables and error with science and truth, his work should be carefully considered.

In John of Damascus's essay, he attempted to expose the popular mythical misconceptions of his day concerning dragons. For an example, he refuted the claim that dragons could shape shift into human form and associate with people. He said that God only created two intelligent beings – angels and humans – and that “if a dragon were to change its form... becoming at once moment a serpent, at another a man... it clearly follows that dragons are intelligent beings greatly exceeding men, which has never been true, and never will be.”

John of Damascus also said that dragons do exist, but they are animals just like the rest of the creatures God made and they do not have any magical or mythical attributes. He described them as serpents (reptiles), born small but will grow to be “big and fat so that they exceed other serpents in length and size”. He says that they can “grow up more than thirty cubits”, which is forty-five feet; and can be as “thick as a huge log”. He also describes dragons (or maybe just one type of dragon) as having a goat-like beard, a horn at the back of its heat, and large and gold-colored eyes.

He also gives reference to a historical account by the Roman Dio Cassius (AD 155-236), who wrote about a battle in the third century BC where a dragon crept up behind the Roman army. The Romans killed it, skinned it, and measured the hide at one-hundred twenty feet long. Here is another historical example of a dragon being seen and recorded by humans; yet written about as a real animal, not some sort of mythical being.

Apparently by the time John of Damascus wrote his essay, dragons were only seen on rare occasions, and so, myths and superstitions sprang up about them. Perhaps, around this time period, they had already begun dwindling down toward extinction. It is feasible that they became extinct in the Middle Ages largely from “dragon slaying,” as documented in the most famous dragon slaying story of all, Saint George and the Dragon.

It may be surprising to know that the Bible also contains huge historical evidence for the existence of dragons. Dragons are mentioned in the Scriptures more than any other animal. One dragon passage, which is possibly the most famous – and most controversial – is Job 41, where God describes a creature called the “Leviathan.” The descriptions closely resemble that of a dragon, but many people argue that it is a crocodile or a whale. However, upon examining the descriptions of Leviathan in Job 41, one can see how different it is from a crocodile or a whale.

First, the Leviathan has powerful limbs (verse 12). The limbs of a crocodile are short and stubby; and whales don't have limbs at all! Second, the Leviathan has terrible teeth (verse 14), which is true of crocodiles, but most whales don't even have teeth. The Leviathan also has scales (verse 15-17). Crocodiles do have scales, but whales do not.

In addition, verse 25 tells us that “when he [the Leviathan] raises himself up, the mighty are afraid” (Job 41:25, KKJV). Again, a crocodile's legs are so short that it wouldn't be any more frightening if it raised itself up. Neither is a whale able to raise itself up in this way. Finally, the Leviathan has something like “sharp potsherds” on its undersides (verse 30). This, of course, is not true for a crocodile or a whale. In fact, a crocodile's most vulnerable place is its undersides.

Another feature to the Leviathan described in Job 41 is that it can breath fire: “His [the Leviathan's] sneezings flash forth light... out of his mouth go burning lights; sparks of fire shoot out. Smoke goes out of his nostrils, as from a boiling pot and burning rushes. His breath kindles coals, and a flame goes out of his mouth” (Job 41:18-21, NKJV). While some people argue that this passage about breathing fire is figurative, that simply isn't true. In the original Hebrew text, where it says “smoke goes out of his nostrils”, the word “minechiyrayw” is used; which is only used this once in the whole Bible. It means real smoke came out of the Leviathan's nostrils; not just vapor from water. This passage was meant to be taken seriously.

Now, many people who hear all this and admit that the Leviathan really was a dragon, will then insist that it wasn't a living, breathing dragon; only an imaginary creature used to represent something real, just like the dragon in Revelation represents Satan. However, the Leviathan in Job 41 was not something imaginary. Beginning in Job 38:39, God goes through a long list of common animals while talking to Job: the lion, the raven, the goat, the deer, the donkey, the ox, the ostrich, the horse, the eagle, the Behemoth (which this article will cover soon), and then the Leviathan. Why would God spend so long describing real animals, and then suddenly switch to mythical ones? We also know that the Behemoth could not have been something imaginary, because God referenced to it as an animal He made along with humans (Job 40:15).

To read more about the Leviathan compared to crocodiles and whales, click here: http://www.bibleinsong.com/Song_Pages/Job/Job41/Job41.htm.

Now, we have established that there is plenty of evidence that dragons existed in myths, legends, and historical records, but what about in archeology? If the theory is correct that dragons were created by God, would we not find more solid proof, especially in the fossil record? And above all, you may be wondering: if dragons really did exist, what does it mean for Christians today? Find out the answers to these questions and more when the series continues...



Bibliography
Alferov, Timofey. “Dragons: Animals... Not Apparitions.” Answers in Genesis. June 2000. http://www.answersingenesis.org/creation/v22/i3/dragons.asp (accessed 30 Jan. 2010) The Holy Bible, NKJV

“Job 41: Was Leviathan a crocodile, whale or dinosaur?” Bible in Song. 2006. http://www.bibleinsong.com/Song_Pages/Job/Job41/Job41.htm (accessed 11 February 2010)

“Leviathan is a Dragon.” A True Church. 24 February 2008. http://www.atruechurch.info/leviathan.html (accessed 11 February 2010)

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Coming Soon... A series called "Did Dragons Really Exist?" The facts - and their relevance to Christians today - may surprise you. Stay tuned!

What is Courage? -- According to the Red Badge of Courage, Part 2

Continued from the last post...

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Before finding his way back to his regiment, Henry has the opportunity to receive such a badge; however, it is phony. When he is banged on the forehead with a rifle by someone on his side, he tells his comrades that it is a “battle wound”; that he had been shot by the enemy. He uses it as a cover-up to conceal the fact that he ran from battle, making it look like he had been fighting as much as they had been. After his friend fixes up the wound, he says, “Yer a good un, Henry. Most 'a men would a' been in th' hospital long ago. A shot in th' head ain't foolin' business.” Henry doesn't reply to this. Clearly, Henry has his comrades fooled; and impressed. They not only believe his story, but think highly of him because of it. They think he is courageous. But Henry knows the truth, and still feels just as guilty as before.

With this knowledge still in mind, Henry goes to battle again the next day; and partially because of the shame and frustration of the day before, works himself into a battle frenzy. Consumed with hate for the enemy, he continues firing and firing; even after the enemy is gone. Finally someone brings him back to reality, as if waking him from a dream, by telling him there's nothing left to shoot at. His lieutenant notices what he did with pride. “The lieutenant... called out to the youth: 'By heavens, if I had ten thousand wild cats like you I could tear th' stomach outa this war in less'n a week!' He puffed out his chest with large dignity as he said it.” Judging by the lieutenant's words, Henry had been quite a sight indeed. Suddenly, he was being noticed for something he had really done – not for a fake battle wound. His comrades notice, too: “Some of the men muttered and looked at the youth in awestruck ways... They now looked upon him as a war devil.” From this quote, we can see that Henry fought savagely, and yet his comrades admire him for it.

Henry's confidence builds from this event: “These incidents made the youth ponder... By this struggle he had overcome obstacles which he had admitted to be mountains. They had fallen like paper peaks, and he was now what he called a hero. And he had not been aware of the process. He had slept and, awakening, found himself a knight.” These words show us that Henry had finally become what he thought he could never be: a courageous hero.

In the following battle, Henry proves himself again; and his bravery is noticed not only by the lieutenant, but by the colonel. Although he wears an “ingenuine” badge of courage, he soon become worthy of it. He proves to himself, and to others, that he can be brave; that he can step forward in the face of danger and not shrink back.

In The Red Badge of Courage, courage is defined as conquering fear without succumbing to it. First, it is defined by Henry when he does the opposite of being courageous by running away. Second, it is defined by the brave, wounded soldiers who stay in the battle so long they are injured and, in many cases, killed. Third, it is defined by Henry again, when he finally finds his courage and faces his fear without turning away. From Henry Fleming, we can gain that courage is often a worked-at gift. It does not always come naturally or immediately; but sometimes it needs time and cultivation before it can blossom into maturity.

What is Courage? -- According to the Red Badge of Courage, Part 1

What was the most frightening thing you've ever experienced? As we all know, it can be hard to have courage in the most scary situations; but perhaps never more so than in war. In the civil war novel by Stephen Crane, The Red Badge of Courage, the concept of courage is explored and defined as not shrinking back in the face of danger, but stepping forward and conquering fear.

We first see this definition of courage in the beginning, when Henry Fleming, the protagonist, runs away from battle. He thinks his action is the opposite of courage, when afterwards he finds out that his regiment had held the enemy, and there had been no need to run. Feeling guilty and ashamed of his cowardly behavior, Henry tries to logically convince himself that it had been the right thing to do. According to the book, “He had fled, he told himself, because annihilation approached... His actions had been sagacious things. They had been full of strategy. They were the work of a master's legs.” From this quote, we see that Henry is desperate to explain his action as the correct and wise decision; most likely, because he is too ashamed to admit that it was cowardly, even to himself. Nonetheless, he goes deep into the woods for a while, away from everyone else, to hide his shame.

When he comes back out of the woods, Henry joins a procession of wounded soldiers walking away from the battle. One of them assumes Henry is injured – since he is walking with the injured soldiers – and asks where he is hit. Henry feels “instant panic at this question”, stutters a moment, and slips away through the crowd. His shame for running away is particularly obvious here. It is as if his lack of a wound proves his lack of courage, because it “proves” he had not been at the battle to receive one.

As Henry continues to look at the injured people around him, he feels a spark of jealousy: “At times he regarded the wounded soldiers in an envious way. He conceived persons with torn bodies to be peculiarly happy. He wished that he, too, had a wound, a red badge of courage.” From this quote, we can conclude that in Henry's mind, having a wound is a symbol of bravery. To him, a wound proves that one had stayed in battle, and had looked death in the eye but not shrunk back in fear, as he had done.

Although he does not have a red badge of courage, Henry still feels he wears a badge of a different type. In chapter eleven, it speaks of “the sore badge of his dishonor.” His dishonor is, of course, the fact that he ran from battle. The word usage is interesting here. When Henry runs, he calls it a “badge of dishonor”; when people stay, fight, and are wounded, he calls it a “badge of courage.” One badge is internal; the other external. One is emotional; the other physical. And while a physical wound may sound more painful than the wound of guilt, Henry suggests that his guilt is more unbearable. He would much rather have the bloody, physical badge that displays his courage, than the sore, emotional badge that displays his cowardice.

To be continued...

Book Review: Curse of the Spider King

I finally got my hands on this book a couple months ago, and it was worth the wait. Just like the previous books by Wayne Thomas Batson and Christopher Hopper, it was filled with adventure, action, suspense, and page-turning plots. Fans of Batson and Hopper will not be disappointed by the authors' latest release; they will love the new characters, settings, and creatures. It was quite interesting seeing the styles of both authors combined.

The story had a unique twist; instead of humans from Earth traveling to another world, elves from another world travel to our planet, in search of seven unsuspecting thirteen-year-olds who hold the key to survival of the elven race. Evil forces are also on the hunt, in a race against time to kill the seven before the elves can reach them.

In the beginning of the book, I thought it was a little slow (only compared to Batson's previous novels!), but it didn't take long before I was hooked. The characters, who are seventh graders, might be easier for middle schoolers to relate to; but readers of all ages who are fans of Wayne Thomas Batson, Christopher Hopper, or fantasy in general will love the book. I also liked how God and Christianity seemed to play a bigger part in this novel than in some of the authors' previous books.

I especially recommend this book to librarians - as they are the heroes in this story! - and to people who say they don't like to read. Their opinion just may change after reading this!

To learn more about Curse of the Spider King, visit:

www.heedtheprophecies.com

Or visit the authors' websites at:

www.enterthedoorwithin.blogspot.com and www.christopherhopper.com

To see Curse of the Spider King on Amazon, click HERE.

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Why Tell a Story?

Some people wonder, why should we write stories? Especially, fiction? Is fiction even godly? I would argue that fiction is not only a godly genre, but it's encouraged by God. Here's why I think so.

1. Jesus told fictional stories. This knocks out the belief that fiction could be ungodly; Jesus Himself told fictional stories! All throughout the Gospels, He told parables that conveyed some sort of truth or message. His disciples even asked Him why He did this, and here's what He said:

"Because it has been given to you to know the mysteries of the kingdom of heaven, but to them it has not been given... Therefore I speak to them in parables, because seeing they do not see, and hearing they do not hear, nor do they understand... But blessed are your eyes for they see, and your ears for they hear." (Matthew 13:11,13,16, NKJV)

In other words, His parables were sort of like codes. Only those who were supposed to understand them could comprehend their messages. To those who were not supposed to understand, they were just meaningless stories without any significance.

2. God created stories. I think God encourages us to tell stories, because He created them. He made them along with stars, animals, oceans, music, mathematics, galaxies, and everything else in His creation. I'll tell you why I think this in the section below, but I'm convinced that stories are an art form that God created, so that we could use them to glorify Him.

3. Stories reflect a Larger Story. While we may never notice it, we all read books and go to the movies for more than just entertainment; there's something deep inside of us that wants to understand our own life story by hearing someone else's, whether it be truth or fiction. In other words, as John Eldredge explains in his book Epic:

"Every story, great and small, shares the same essential structure because every story we tell borrows its power from a Larger Story, a Story women into the fabric of our being..."

That Story is the history of all things; from before our universe was created, to the time Jesus returns; when His true followers will live with Him for eternity. It is a story that is still very much in motion... and we all have a crucial role to play.

Ever wonder why those awesome story endings pulled at your heartstrings? It was because your heart was longing for eternity (see Ecclesiastes 3:11), where you we will experience the ultimate story ending... or, as C. S. Lewis put it in The Last Battle, it will be "only the beginning of the real story," and we will begin "Chapter One of the Great Story, which no one on earth has read: which goes on for ever: in which every chapter is better than the one before."

To read more about how our lives reflect a greater story, I highly recommend John Eldredge's book Epic. (Click here to see it on Amazon. On another topic, the book is also an excellent evangelism tool!)

So, why do I believe stories are God's creation? First, He is the Master Storyteller; our own stories are just mere reflections of the true-life story He is writing now. (Epic goes into a lot more depth as to why that is.) Second, while Jesus was on earth, He used stories - A.K.A. parables - to convey messages (which I'll talk about in the next section). This only confirms that God is a storyteller Himself; and if He is one, than we certainly can be one.

And, while this may not prove anything about stories exactly, the words that make up stories are important to God. John 1:1 says, "In the beginning was the Word, and the Word was with God, and Word was God" (NKJV). If "the Word" is used to describe God, than there is certainly mighty power in words!

4. Stories can tell messages. This is the main reason I champion the art of storytelling. I'm convinced that stories are the best way to tell a message; better than sermons, lectures, articles, or any form of nonfiction. Why? Because when people read a story, they're not expecting to be preached at. They're expecting to be entertained. And so, to an extent, their guards are down. They're much more likely to be affected by the message. Everyone loves a story; and when a story conveys some sort of message, moral, or truth in a way that isn't pushy, preachy, or in your face, anyone can be changed by it.

People's hearts and lives have been transformed by stories... sometimes for the better, sometimes for the worse. As Christians, let's make it our aim to write stories that change people for the better. And even more importantly, let's write stories that point people to Jesus Christ and bring glory to His name.

5. Why Fiction? So, we've established the fact that stories can change people and point them to Jesus. As a side note, not every story has to be life-changing; even stories directed to the already-saved can be used by God, just the same. But why fiction? Why not use nonfictional stories? Aren't they better, since they're accounts of things that really happened; not just something from someone's imagination?

Well, I'll admit that sometimes true stories can be more inspiring. For an example, which would strengthen your faith more: a fictional story of someone miraculously healed by God, or a true story of the same thing? However, true stories can only go so far. They don't have the advantage that fiction has; like clay, it can be changed, molded, and sculpted into any genre or any message, for any audience you desire. Fiction may not have the inspiring "true" element of nonfiction, but it can still be just as impacting. It can still win souls for Christ just as well. It can still resurrect the much-needed, long-lost Biblical values and morals that are rapidly declining in this society.

I believe suspense/adventure novels are the best type of fiction for this task. The stories that keep us up at night, constantly turning pages and unable to put the book down, draw readers in like prey at the end of the hook... only instead of cooking our prey for dinner, we point them to Jesus, and hopefully give them a message that they remember forever.

We still give them all the action, adventure, suspense, grabbing plots, etc. as any secular novel, (as long as we're not crossing Biblical lines, of course), but not for the sole intent of becoming a best seller. Our main intent is not to bring fame and glory to ourselves, but to bring glory to the true and living God. If becoming a best-selling author is the best way to that, so be it; it means more people will be impacted by our stories. But whatever we do, let us do it for the glory of God.