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Sunday, May 22, 2011

Must-Have For Christian Fiction Writers!

Are you a writer?

Do you write Christian fiction?
If you do, then there's a book you have to read. Like, HAVE to read. It's this book below:


I don't care if you're a newbie writer or if you've been writing for many years. Whatever level you're at, you'll get something from this. 

As for me, this book gave me a MAJOR inspiration boost. The wheels of my mind just went flying. I had a piece of paper with me at all times while I was reading it, just so I could jot down ideas. And it also taught me a lot about writing. Here are just a few things I benefited from:
* Using the dumb puppet trick
* Tips on how to write descriptions
* How to handle profanity in Christian fiction
* How to introduce a character
* How to juggle lots of characters and plots in a big novel
 * Using the "or-else" component, or the "ticking time bomb", to add suspense in a story
* Including the hero's inner journey
Click here to buy the book on Amazon; click here to buy the book from the original publishers.
Thanks, Whisper, for recommending this book to me! ;-)

Picture of the Month

Book Review: Sword in the Stars, Part 2


So, here's Part 2 of my book review on Sword in the Stars.  (Read the first part here.) I'm just listing random thoughts about the book, more or less in the order they occurred to me as I read it.

* Throughout the book, Batson uses a lot of strong, powerful, universal themes. I thought they were very effective in making the story more real and relatable. Some examples: judgmental and legalistic religion, the "evils" of drunkenness, forgiveness, love, (those two went hand in hand), healthy marriages, redemption, sacrifice/heroism, thirst for power, parenting/growing up/family.

* I actually didn't like the cover (shown above). It was a really good book (especially once you get about 1/3-1/2 of the way through), and I somehow didn't feel like the cover really represented that. But, there is some fun symbolism on the cover. It was fun when it suddenly clicked for me, after I had begun reading the book: "Oh, that's what that means on the cover!"

* The romance in this book I actually liked. That means a lot coming from me; I'm normally very annoyed with romance in books. In this book, the romance is not cheap, it's not obnoxious, it's not silly, it's not pointless, and it's not sensual or focused chiefly on appearances or feelings. On the contrary, it is quite the opposite. It is not about a couple kids or teens becoming infatuated with each other; it's about two grown people who are old enough and mature enough to get married. It is a picture of what a right, healthy romantic relationship should look like, in my opinion. It does not feel like it was just thrown in there JUST for the sake of adding romance; it very much has to do with the story, and again, it is a picture of a good relationship. It actually helps illustrate one of the biggest themes -- if not THE biggest theme -- of the book (that being redemption). It is about true love; true love for who someone is, for the honorable traits in them; true love that develops slowly. 


* Allastair (the main protagonist) is such an amazing, heroic, sacrificial, honorable character! He embodies a strong, STRONG roll model that is painfully, sorely lacking in many books and movies today. (You just have to keep reading the book before you realize what a good character he is... he certainly isn't perfect, just like any real person isn't perfect, and some of his imperfections stand out strongly at the beginning of the book. But you have to keep reading... I found myself admiring him at the end.)


* Just gotta say, if you're a fan of Wayne Batson's writing, you should definitely read this book. :-)


* The ending is awesome. There was a realization at the end that had to do with the evil in the book... it left me stunned and disturbed... quite a bomb to drop on the reader right as the book ends. :-)


Conclusion: This books successfully passes my strict book-critiquing standard. I label it: highly recommended.  5 out of 5 stars. *applause* *cheers*


Over and out,
Brianna

Thursday, May 5, 2011

Movie Review: Jane Eyre



This week, I watched the movie Jane Eyre (2011), based off of the novel of the same name by Charlotte Brontë.  Because I am a big fan of the book, I was excited and curious to see how it translated onto the screen, in the form of a modern, well-budgeted film.  (There have been many film versions of the story in the past, but as far as I know, all of them were old, low-budgeted, or both.)  I was also very curious (and admittedly a little anxious) to find out how closely the movie would stick to the original story. 
 
For the most part, I was not disappointed. The casting was absolutely excellent; Mia Wasikowska played a perfect Jane, Michael Fassbender played a perfect Mr. Rochester (although he was not exactly how I imagined him, he captured Mr. Rochester's personality exactly), and the same was true for every actor, as far as I could tell.  The lighting was also done excellently; its dark tone helped set the mood for the story. 


Also, the story was almost exactly identical to the book; for about a third of the way through the movie, I was completely thrilled with watching the book seemingly come to life in front me. However, there were a few differences that popped up; some were subtle, and they seemed entirely appropriate and acceptable to me; while others did bother me a little bit.

The two most noticeable differences, for me, were the general mood of the story, and the sequence of events.  In the book, the mood was dark, mysterious, and intriguing; while there was an aspect of sadness to the story, I thought the mysteriousness and suspense far outweighed the sadness, and I did not come away from the book feeling heavy-hearted.  The movie was somewhat flipped; it definitely captured the dark mood of the story, but it seemed to emphasize the sadness of the story more than the mysteriousness.  There was certainly a happy ending, but I still personally came away from the movie feeling more saddened than I did when I read the book. 


Also, while there was definitely a lot of suspense in the movie, I did not think it built up as strongly as it did in the book; in fact, the resolving of the mystery seemed somewhat anticlimactic to me.  But this could just be because the movie is only two hours long, so it does not have nearly as much time to built up suspense as a 300-page book does. 
 
The other major difference from the novel is the sequence of events.  The movie starts off later in the story, with Jane running away from Thornefield and meeting St. John and his sisters.  It then flashes back to the rest of the story to explain Jane's history.  While this is a slightly different order of events, I did not think it affected the story at all; in fact, it was a great way to suck the viewers into the movie right away.  Starting from the very beginning of the story, with Jane's childhood, worked great in a novel, but it would not have had the same affect in a visual-based medium like film.
There were also a few minor differences in the movie that were less noticeable than the mood and the sequence of events.  First, because a 300-page story was compressed into a two-hour-long movie, a lot was left out.  While nearly all the important points of the story were covered, there were quite a few minor details that got chopped out; and the result was a story that seemed to jump staccato style from event to event, without any real transitions in between.  It did not bother me, because I knew the story, and I knew what was being left out; but people who had not read the book told me it was very confusing and disorienting. 
 




Also, the Christian themes of the story were watered down, and (almost) completely removed.  The overall treatment of religion (specifically Christianity) seemed somewhat negative in the movie, while I found the overall treatment of religion to be more positive in the book.  (Yes, there were some negative aspects to religion in the book, but I thought, overall, the book cast religion -- especially Christian morals -- in a positive light.  Maybe it was just me.)  I thought Christian morals were strong in the book, but they were hardly emphasized at all in the movie. 


The two main morals the book deals with are the sanctity of marriage, and doing the right thing -- resisting temptation -- even when it is extremely hard.  Both of these themes were definitely in the movie, but just not as strongly as in the book.


Another minor difference that bothered me was the fact that Jane's school does not change, as it does in the book; it seems to remain just as strict, cold, and harsh when she leaves the school as when she arrives. 
 
However, any other story changes in the movie seemed pretty subtle, and not noticeable or memorable enough for me to complain about.  For an example, when ten-year-old Jane is locked in the "haunted" bedroom, she is frightened by a cloud of smoke coming out of the fireplace, instead of a little "light" that she thinks is coming from a ghost.  Obviously, the smoke is more visually interesting, and I think it worked better in the movie (while the light was perfectly affective in the novel). 


Also, during a dramatic, climatic scene (specifically, the "attempted" wedding), Mr. Rochester starts to strangle his brother-in-law in a heat of rage; in the book, he merely lifted his arm to strike him (but did not actually deliver the blow).  Again, I thought this was good and necessary, because the scene had to be more visually grabbing for the movie (no pun intended).  I thought the affect was the same in the book and the movie.

As you can see, the movie had a few differences from the book; but in general, I thought it was an excellent and well-made rendering of Charlotte Brontë's novel.  I definitely recommend it to fans of the novel, and to fans of period romances like Pride and Prejudice. (As an aside, I understand that the soundtrack for Jane Eyre was written by the same man who wrote the soundtrack for the recent version of Pride and Prejudice!  Although, it certainly has a darker and sadder tone than Pride and Prejudice does, so fans of that soundtrack might be a little disappointed.) 


My only restriction on recommending the movie is that it is PG-13 for some violence and blood (mostly just one scene, where someone is terribly injured and we see his bleeding wounds up close), and a brief moment with a nude painting on a wall (which, by the way, had nothing to do with the book).  So, I would not recommend the movie for younger viewers. 


P.S.  Part 2 of my book review on Sword in the Stars is still on its way!

Thursday, April 28, 2011

Tuesday, April 19, 2011

Book Review: Sword in the Stars, Part 1


I finished Sword in the Stars a few days ago!  Here are my thoughts on the book, more or less in the order they came to me while I was reading it... since I have so much to say, I'm going to split it into two parts, so it's not so overwhelming!

About the book...
Title: Sword in the Stars
Author: Wayne Thomas Batson
Series: The Dark Sea Annals
Genre:  Fantasy


My thoughts...

* It has a good opening chapter.  The very first sentence grabs your attention: "Alastair Coldhollow tried to wipe the blood from his hands but failed."  The rest of the chapter introduces mystery and intrigue that instantly makes you interested in the story.


* Myriad, the fantasy world of the book, seems to be a well-developed world.  There is diversity among the different races and people groups.  There are bits of literature and history that start off every chapter.  (I especially liked the "Books of Lore"; the equivalent of the Bible in their world.)  There is a developed geography.  (Although, I found the geography a little -- just a little -- hard to visualize without a map.)  Batson also created a complete dating system for the world, and even a speech dialect!  It feels like you could just step into "Myriad", as if it were a real place.


* I found it interesting how the book deals with the Alastair's (the main protagonist's) past.  It is a mystery at first that you have to discover as you read.  This aspect of the story reminded me of Behold the Dawn (click here to see my review for that book).


* One thing I didn't like:  "Gorracks", one of the creatures/races of the story, looked too much like "orcs" to me (especially since they played a similar role in the story that orcs play in Lord of the Rings).  It seemed like the word "orcs" with a bunch of letters added in.  Maybe other people wouldn't make that association, but I did.


* The characters in this book are the best characters Batson has ever made.  I felt like the characters in The Door Within, Isle of Swords, and Isle of Fire were a little bit flat, but these characters were entirely dynamic and three-dimensional.  My favorites were probably King Aravel and Alastair.  When I heard (or rather, read) their names, an entire image and personality came instantly to mind; almost like with real people.  I found myself COMPLETELY, ENTIRELY drawn in to these characters; sitting on the edge of my seat to see what would happen to them, and watching with total suspense and intrigue as some of them revealed certain dark secrets (you'd have to read the book to know what I'm talking about).  I was glued to the story; grabbed by the throat, and it would not let me go... the reason, though, was because of the characters... much, much more so than the plot.

* Although... (this is in continuation of the last point), I would have to say that it took until I was about 1/3 of the way through the book before it really grabbed me, and it got really good.  You've got to get through the first third of the book... just trust me.  Just read through 1/3 of it, and if you're not hooked by then, well... that's probably not going to happen, so I'll leave it at that.  =)


Original 3D art by Wayne Thomas Batson: Shepherd Hollow, from the Dark Sea Annals


* About 1/4 of the way through the book, King Morlan (the antagonist) did not feel very scary to me.  He was not an exceptionally convincing villain yet.  But then, about 1/3 of the way through, this changes entirely.  He has an encounter with "Sabryne", the source of ultimate evil in this story (seems to be the equivalent of Satan), and King Morlan becomes a different person.  The evil in the book (which also includes Cythraul, another villain who I thought was creepier than Morlan) gets really creepy, even violently disturbing.  Sabryne, Morlan, and Cythraul are very "Batson-style" bad-guys, reminding me of Batson's other great villains: Paragor from The Door Within and Bartholomew Thorne from Isle of Swords/Fire.  In fact, the evil in Sword in the Stars was possibly the most disturbing out of all Batson's books so far.

* Batson uses some familiar fantasy creatures (like dragons), but he also creates a lot of his own.  Some of them are based off of familiar fantasy creatures, (the Willowfolk, for an example, are a lot like fairies), and others are completely of his own making.  It creates a somewhat fresh feel to the familiar genre.


* I ABSOLUTELY LOVE the theme of redemption in this story!  The way he deals with redemption is immensely, profoundly powerful.  It's worth reading the whole book just for this.


* The book is very imaginative.  Batson sure has quite an imagination.  =)  I found it inspiring, too... especially the way he developed his characters... it inspired me with my own fantasy story.  (I intend to begin writing my fantasy story after I finish my futuristic novel.)


* I think this is the first time we're seeing Batson's own, unique fantasy writing style really develop.  With The Door Within Trilogy, he was writing his very first books; just starting his writing career, or just putting his foot in the water, if you will.  With the pirate books, he was developing his craft some more; but they weren't actually fantasy.  Then, he wrote the Berinfell Prophecies with Christopher Hopper, and developed his craft a little more; but the books weren't completely his own, unique works.  Now, with The Dark Sea Annals,and he is finally writing his own, unique fantasy stories.  While I was reading the book, I couldn't really say, "This is Tolkienesque," or "This is very Lewis," or "This is very any-other-author;" all I could say was, "This is Wayne Thomas Batson."  I feel like in this book, he's showing us his real, true fantasy style for the first time.  (Not that The Door Within Trilogy was not Batson's real fantasy style; it just wasn't as developed yet, I don't think.)


* There's some fun symbolism and foreshadowing throughout the book that literature people would like.  (I expect that is caused, at least in part, by the fact that Batson is an English teacher...)


That's all for now... I'll tell you the rest of my thoughts later!

Sunday, April 17, 2011

Picture of the Month

I might not be able to blog for a while.  Something has crashed on my computer...